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RIIFF at a Glance:

 

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RIIFF Travel Packages

Discover RIIFF 2008

 

RIIFF Community

Fest Photos

Podcasts

Video

Downloads

 

Blogs:

RIIFF Events

RIIFF Alumni News

RI Horror Film Fest

Adam's Blog

 

Travel, Accomodations, Hot Links, User's Guide to RIIFF when coming to Rhode Island & Gift Sponsors

 

Leadership at RIIFF - Learn about the people who make RIIFF what it is

 

Sponsorship • Year-round opportunities for Corporate and Indviduals

 

CinemaRI Memberships Make Great Gifts! • Annual Appeal Make a Donation to RIIFF

 

2008 Entry Forms • Enter a Film, a Screenplay or attend a Camp or Workshop

 

Internships - Learn how to be an intern with RIIFF • Jobs At RIIFF - Seasonal Positions Available

 

√ See the RIIFF Trailer by Tango Pix

 

Jump Cut - Stories from New England Entertainment Digest

 

What's New at the Columbus Theatre Arts Center


Call us at

401.861.4445



Rhode Island International Film Festival
PO Box 162 Newport, RI 02840 USA Street Address: 96 Second Street, Newport, RI 02840
Office: 268 Broadway, Providence, RI 02903
401/861-4445
fax: 401/490-6735
info@film-festival.org

 

 

 

 

 

 

 

 

 

 

All RIIFF Photos

Courtesy of Paul Ruggeri

 

 

 

RIIFF Poster/Image Design by Antonio Cortez

 

 

Promotion and Consulting by

Symbio Design

RIIFF 2008 Team

John R. Leo

 


John R. Leo, Professor of English studied literature, film, TV, and art history at Yale, Northwestern, and UCLA and teaches a range of undergraduate and graduate courses on film genres, TV studies, and theory (e.g. media and cultural studies, popular culture, and queer theory), areas in which he also researches and publishes. Frequently these interests impinge on each other, e.g. a course on film criticism and theory may focus on the nature of film audiences in relation to "popular" films in North America and Europe, 1945-present.


In recent years—and as a result of several Fulbright awards to Poland and Slovakia—Prof. Leo has offered a variety of courses on the general topic "The Cold War and Film." These tend to examine historically and critically Central Eastern Europe (former Soviet bloc + USSR) film output in such genres as melodramas, WW2 combat films, and documentaries. They also bring together such issues as filmmaking and history, Socialist Realism as a film aesthetic, "nation-building" and film, perestroika and "investigative" filmmaking, and of course representation and gender. Other courses he teaches include "Hollywood Masculinities and Popular Film since 1950" (e.g. gangster, teenpix, action, porn) and "The Discourses of Television" (commodified audiences, postmodern styles and subjects, etc.). He also teaches comparative literature studies and interdisciplinary courses in 19thth- and 20th-century British and US literatures
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